Commemoration of the Fiftieth Anniversary of Frank Martin's Passing

Gli Angeli Genève was founded in 2005 by Stephan MacLeod. A variable-geometry ensemble playing on period instruments (or copies of instruments), the ensemble is made up of musicians with careers in the field of Baroque music, but who have the particularity of not only playing early music. This eclecticism guarantees the vitality of their enthusiasm. It is also a driving force behind their curiosity.

Right from the beginning of a musical adventure that for several years concentrated solely on live performances of the complete Bach Cantatas in Geneva, with three concerts per season, Gli Angeli Genève has been the setting for encounters between some of the most famous singers and instrumentalists of the international baroque scene and young graduates of the High Schools of Music of Basel, Lyon, Lausanne and Geneva. 

Internationally acclaimed since its first two recordings in 2009 and 2010, the ensemble now gives more than fifteen concerts a season in Geneva, as part of its Bach Cantatas, a series of annual concerts at Victoria Hall, the annual Haydn-Mozart festival created by the ensemble in 2021, and finally the Chambre des Anges, a new concert series inaugurated in 2022 and dedicated to chamber music.

The ensemble is equally in demand in Switzerland and abroad for performances not only of Bach, but also Tallis, Josquin, Schein, Schütz, Johann Christoph Bach, Weckmann, Buxtehude, Rosenmüller, Haydn, Mozart and others. In recent seasons, Gli Angeli Genève has been in residence at the Utrecht Festival and the Thuringer Bachwochen, and has performed in Basel, Zurich, Lucerne, Barcelona, Nürnberg, Bremen, Stuttgart, Brussels, Milan, Wroclaw, Paris, Ottawa, Vancouver, Amsterdam and The Hague. Gli Angeli Genève is a regular guest at the Saintes and Utrecht Festivals, the Bremen Musikfest and the Vancouver Bach Festival. The ensemble made its debut in 2019 at Lucerne’s KKL, and was invited in 2023 to the MA Festival in Bruges, the Besançon Festival and Vézelay. On the occasion of the Haydn-Mozart Festival, Gli Angeli Genève collaborates with guest conductors and artists: Michel Corboz in 2021, Kristian Bezuidenhout in 2022, Philippe Herreweghe in 2023, and Leonardo García Alarcón in 2024.

Gli Angeli Genève’s first recording for Claves Records, Musiques sacrées du XVIIe siècle à Wroclaw, won the 2019 ICMA award for best Baroque vocal recording of the year, and Johann Sebastian Bach’s St Matthew Passion has been enthusiastically received by audiences and critics alike, in Switzerland and around the world.

The ensemble’s discography also includes Bach’s Mass in B, nominated at ICMA 2022, Bach’s Cantatas for Bass, and Antoine Reicha’s rare Symphonies Concertantes, with soloists Christophe Coin, Davit Melkonyan, Chouchane Siranossian and Alexis Kossenko. Released in October 2022, Mozart’s Concertos for flute and orchestra, with Alexis Kossenko (flute) and Valeria Kafelnikov (harp) have been nominated for an ICMA 2023 award in the « Concerto » category. Johann Sebastian Bach’s St John Passion, released in April 2023, and Josquin Desprez’s Malheur me bat, published by Aparté in September 2023, have already won rave reviews from the press and public alike.

Gli Angeli Genève benefits from a regional support agreement with the City of Geneva, the Republic and Canton of Geneva and the Théâtre du Crochetan.

Stephan MacLeod was born in Geneva and studied singing in his native city, in Cologne and then in Lausanne. His concert career began during his studies in Germany with a fruitful collaboration with Reinhard Goebel and Musica Antiqua Köln. Since then, he has sung regularly with conductors such as Leonhardt, Herreweghe, Savall, Suzuki, Kuijken, Corboz, Brüggen, Kossenko, Pierlot, Luks, Mortensen, Harding, Junghänel, Rademann, Pichon, Van Immerseel, Coin, Rilling, Van Nevel and Bernius. He is founder and conductor of the Ensemble Gli Angeli Genève, which gives around thirty concerts a year throughout the world, and is regularly invited to conduct other ensembles (OSR, Philharmonie Zuidnerderland, Nederlandse Bachvereniging, etc.). More than 100 CDs, many of them critically acclaimed, document his work. He was singing teacher at the Haute Ecole de Musique de Lausanne from 2013 to 2023, and teaches at the Haute Ecole de Musique de Genève since last September.

Born in Prague, Hana trained at the Prague Conservatory in Jiří Kotouč’s class, before continuing her studies with Poppy Holden, Peter Kooij, Monika Mauch and Howard Crook. Today, she is recognized as a leading specialist in the performance of baroque, renaissance and medieval music. She performs with ensembles and orchestras all over the world, including Collegium Vocale Gent, Bach Collegium Japan, Sette Voci, Amsterdam Baroque Orchestra, Arpeggiata, Gli Angeli Genève, La Fenice, Nederlandse Bachvereniging, Tafelmusik, Collegium 1704, Collegium Marianum, Musica Florea, L’Armonia Sonora, among others. She collaborates regularly with the world-renowned horn player Bruce Dickey, with whom she recorded the CD « Breathtaking », the programme of which continues to tour the world. Hana appears on over thirty CDs, including the famous Bach cantata series with the Bach Collegium Japan. She also plays the Gothic and Romanesque harps and presents concerts in which she accompanies herself on this instrument.

Was born in Poland, where she studied violin and piano before turning to singing, which she studied with Wojtek Drabowicz in Poznan and then at the Weimar Conservatoire. She attended masterclasses with Evelyn Tubb and Barbara Schlick, and made her debut at the Poznan Opera in Aurora by E.T.A Hoffmann.

Aleksandra is active in the world of oratorio, singing under the direction of Herreweghe, van Veldhoven, MacLeod, Corboz, Duxbury, Luks, Reuss, Antonini, Sempé, Parrott, Weimann, Spering, Neumann and Fischer, and frequently works with Gli Angeli Genève, Collegium Vocale Gent, Collegium 1704, Arte dei Suonatori, the Polish Radio Orchestra and the Wrocław Baroque Orchestra.

She has performed at numerous European and international festivals, including Musikfest Bremen, Bachwoche Stuttgart, Festival de Saintes, Oude Muziek Utrecht, Thüringer Bachwochen, Lumine Voice Festival of Lofoten, Vratislavia Cantans, Chopin and his Europe and Early Music Vancouver.

Praised by The Times for his “ethereal tone and beautiful control”,  Alex Potter is one of the leading countertenors on the European musical scene. He was lucky enough to have a mother who sang to him as a child and a father who bought him history books, so of course ended up singing Early music. Besides singing, he loves cooking, being outdoors and anything to do with history. He lives in the Lüneburger Heide and is an embarrassing father to two teenage daughters.

Valerio Contaldo studied singing with Gary Magby in Lausanne. He was a finalist in the Leipzig Bach Competition in 2008, and his solo career has increasingly developed ever since. 

His highly eclectic oratorio repertoire includes the most important works of sacred music. He has performed in concert at New York’s Carnegie Hall, Vienna’s Musikverein, the Beaune and Ambronay Festivals, Salzburg’s Mozartwoche, the Folles Journées in Nantes, Bilbao, Warsaw and Tokyo, and in opera at the Paris Opéra, the Théâtre des Champs Elysées, the Teatro La Fenice in Venice, and the Edinburgh and Aix-en-Provence Festivals.

He is one of the world’s leading interpreters of the title role in Monteverdi’s L’Orfeo, which he has sung in Barcelona, Adelaide, Shanghai and Beijing, as well as in Brussels, Rotterdam, Cologne, Strasbourg, at the Festival de Saint-Denis, and on tour in South America. The recording of this work with Cappella Mediterranea (Alarcón), released by Alpha in 2021, was enthusiastically received by the critics (Choc Classica, Diamant Opéra Magazine, etc.).

He sings in concert and on disc under conductors such as Corboz, Garrido, Garcia Alarcón, Alessandrini, Bernardini, Minkowski and Pierlot.

Stephan MacLeod was born in Geneva and studied singing in his native city, in Cologne and then in Lausanne. His concert career began during his studies in Germany with a fruitful collaboration with Reinhard Goebel and Musica Antiqua Köln. Since then, he has sung regularly with conductors such as Leonhardt, Herreweghe, Savall, Suzuki, Kuijken, Corboz, Brüggen, Kossenko, Pierlot, Luks, Mortensen, Harding, Junghänel, Rademann, Pichon, Van Immerseel, Coin, Rilling, Van Nevel and Bernius. He is founder and conductor of the Ensemble Gli Angeli Genève, which gives around thirty concerts a year throughout the world, and is regularly invited to conduct other ensembles (OSR, Philharmonie Zuidnerderland, Nederlandse Bachvereniging, etc.). More than 100 CDs, many of them critically acclaimed, document his work. He was singing teacher at the Haute Ecole de Musique de Lausanne from 2013 to 2023, and teaches at the Haute Ecole de Musique de Genève since last September.

The Ensemble Vocal de Lausanne (EVL) was founded in 1961 by Michel Corboz, who successfully led it for over fifty years. As an outstanding professional vocal ensemble, the EVL holds its own amongst the best groups on the national and international scene, all the while maintaining strong roots in Switzerland. Artistically, it is a chamber choir comprised of a variable configuration of professional singers and, depending on the work being performed, young artists in training. Its repertoire ranges from the 16th to the 21st century, with a focus on French music, Swiss composers, and contemporary creations.

Today, the Ensemble is under the direction of Pierre-Fabien Roubaty, artistic and musical director, and Daniel Reuss, principal guest conductor. In recent years, the EVL has sung under the baton of world-renowned conductors such as Raphaël Pichon, Leonardo García Alarcón, Jonathan Nott, Arie van Beek, and Marc Kissóczy.

The reach of the EVL extends well beyond national borders, with invitations to perform on international stages. Over the past ten years, it has participated in numerous prestigious festivals such as La Folle Journée de Nantes, La Roque d’Anthéron, the Festival de Pâques (Aix-en-Provence), the Chapelle Royale de Versailles, and the Gstaad Menuhin Festival. Additionally, the EVL regularly collaborates with renowned Swiss and international orchestras.

The EVL’s extensive discography has garnered international acclaim. Its recording of Monteverdi’s Vespers won the Grand Prix du Disque de l’Académie Charles Cros. Some thirty other award-winning albums include the three famous Requiems by Mozart (Choc du Monde de la Musique, 1999), Fauré (Choc de l’Année 2007 du Monde de la Musique) and Gounod (Choc de Classica 2011). Its latest opus, Arthur Honegger’s Le Roi David (1921 version) was released in 2017.

In 2023, EVL and OCL recorded Mozart’s Requiem under the direction of John Nelson. This is EVL’s 116th recording.

Louise Foor, a Belgian soprano, will perform on the stages of the Bayerische Staatsoper in Munich, La Monnaie in Brussels, and the Opera of Metz in the upcoming season. Her recent debut as Leila in G. Bizet’s « Les pêcheurs de perles » in Bordeaux received excellent critics.  Last season she also debuted at such venues as the Théâtre Royal de la Monnaie De Munt, the Théâtre du Capitole in Toulouse, the Grand Théâtre in Luxembourg, and the Grand Théâtre in Geneva.

In 2020 Louise made her debut at the Opera in Liège and she has joined the « MM Laureate » of La Monnaie/De Munt in Brussels. She also became resident artist at the Queen Elisabeth Music Chapel in Waterloo. In September 2020, she won the first prize at the international competition « Virgilijus Noreika » in Vilnius (Lithuania).

In 2017, Louise received her bachelor’s degree in voice from the IMEP School of Music (Belgium). In the same year, she won the « best young » prize at the international competition « Hariclea Darclée » in Romania. In 2017 she also became a student at the HfM Hanns Eisler Berlin in the class of Anna Samuil. In 2018 she made other international competitions in Germany (Immling), Austria (Graz) and Italy (Portofino), where she won many prizes.

Turkish-German mezzo-soprano Deniz Uzun is a graduate of Bloomington’s Jacobs School of Music/ Indiana University and was a recent winner of the Elizabeth Connel Prize 2022 and the Eva Marton Prize 2021. She was a Member of the Young Artist Program of the Bavarian State Opera.

Deniz is a former member of the ensemble of Opernhaus Zürich and Komische Oper Berlin, where her roles included Sonyetka in Lady Macbeth of Mzensk, Krista in Vec Makropulos, Bradamante in Alcina, Emilia in Otello, Olga in Eugene Onegin, Ino in Semele, Page in Salome, Lucilla in La scala di seta, Meg Page in Falstaff and Third Lady in Die Zauberflöte.

Throughout the course of her career Deniz has worked with conductors such as Fabio Luisi, Ádám Fischer, Franz Welser-Möst, Nello Santi, Simone Young, Oksana Lyniv, Kirill Petrenko, Vladimir Jurowski, Jakup Hrůša, Jérémie Rhorer, Vasily Petrenko, Markus Poschner, Gianandrea Noseda and William Christie, as well as with directors such as Barrie Kosky, Calixto Bieito, Robert Carsen, Andreas Homoki, Dmitri Tcherniakov, Krzysztof Warlikowski and Marie-Ève Signeyrole.

Deniz proudly made her debut with the Leipzig Gewandhaus Orchester in Verdi’s Requiem under the baton of Franz Welser-Möst and with the Berlin Radio Symphony Orchestra in Mendelssohn’s Drei geistliche Gesänge under the baton of Sir Andrew Davis; with the MÁV Symphony Orchestra in Elgar’s Sea Pictures under the baton of Róbert Farkas; as well as in Die Fledermaus as Orlofsky at the Teatro Carlo Felice in Genova under the baton of Fabio Luisi and as Una Donna in Nono’s Intolleranza 1960 as the season opening at Komische Oper Berlin.

Highlights in previous seasons have included title roles such as Dido inDido and Aeneas at Teatro Massimo Palermo, Carmen at the Landestheater Salzburg, Mascagni’s Zanetto in a semi-staged concert series in Switzerland, Hänsel in Hänsel and Gretel, L’Enfant in L’Enfant et les Sortilèges, Ronja in Ronja die Räubertochter, Jacob in Evers’ Gold! as well as Zelim in Vivaldi’s La Verità in Cimento at the Opernhaus Zürich. In the past seasons she also partecipated in the season’s opening of the Teatro Lirico in Cagliari as Rubria in a new production of Boito’s Nerone as well as in the celebrated Barrie Kosky’s production of Eugene Onegin at the Komische Oper Berlin.

Passionate in the Lied- and concert genre, Deniz performed also at the revived Festival Capuchos 2023 in Portugal alongside pianist David Santos with songs by Berlioz, Brahms, Korngold, Berg, Marx, A. Mahler, Montsalvage and Gershwin. In the season 20/21 she gave three recitals accompanied by pianist Yulia Levin titled „Opera goes Folk“ with songs by Ravel, Schostakovic, Rodrigo and Kodaly as part of the Zurich Opera House’s alternative program.

In the past Deniz has performed a wide range of repertoire for mezzo-soprano and contralto such as Florence Pike in Britten’s Albert Herringat Bayerische Staatsoper, Lola in Cavalleria Rusticana at the Jurmala Music Festival in Latvia, Isabella in L’Italiana in Algeri, Ruggiero in Alcina and Gertrude in Hänsel and Gretel with Indiana University Opera and Ballet, Annina in La Traviata and Isabella in L’Italiana in Algeri for children at Baden Baden Festspielhaus, Beethoven’s Ninth Symphonywith Danish Radio Symphony, Cyprus Symphony Orchestra and Irish National Symphony Orchestra, Page in Salome with Dallas Symphony, Third Maid in Elektra at Salzburger Festspiele and Isaura in Tancredi at the Festival de Beaune.

Highlights in Deniz’ 24/25 season include her debut at Müpa Budapest as Waltraute in Götterdämmerung under the baton of Ádám Fischer; a return to the Dallas Symphony as Fricka and Waltraute in the Ring Cycle; Pikovaya Dama at the Teatro Regio in Turin; Les Dialogues des Carmélites at the Teatro La Fenice in Venice and La Traviata andRigoletto at the Tiroler Festspiele Erl.

Jason Bridges is establishing himself as an internationally recognized tenor. Born in Pennsylvania, Jason has been based in Geneva, Switzerland for over a decade. He began his musical training at the Eastman School of Music in Rochester, NY and continued his education at the Royal Conservatoire of Scotland in Glasgow on the MMus Opera Masters program where he was awarded the International Scholarship for Opera Singers.

Jason was a member of the Atelier Lyrique de l’Opéra National de Paris where he was awarded the Prix AROP as the young artist program’s outstanding male voice for the 2005-2006 season.  Jason was also a member of the soloist’s ensemble at the Wiener Staatsoper in Vienna, Austria where he performed notable roles such as Der junge Seeman in Tristan und Isolde, Leopold in La Juive, Froh in Das Rheingold and Antonio in the European premiere of Thomas Ades’ The Tempest. 

Jason has been seen in opera houses and concert halls throughout Europe and North America.  Operatic roles include the title roles in both Candide and Albert Herring,  Ferrando in Cosi Fan Tutte,  Pylade in Iphigénie en Tauride, Renaud in Armide, Tamino in The Magic Flute, Rinuccio in Gianni Schicchi, Hussar in Stravinsky’s Mavra, Andres in Wozzeck, Des Grieux in Massenet’s Manon, Nemorino in L’elisir d’more, Edgardo in Lucia di Lammermoor, Lyonel in Martha, Prince Sou-Chong in Das Land des Lächelns and Armand in Boulevard Solitude.

Jason has also created roles in several world premiere operas including Cyrille in Phillipe Boesmans’ Yvonne, Princess de Bourgogne for the Opéra National de Paris, Lorenzo in André Tchaikowsky’s The Merchant of Venice at the Bregenzer Festspiele, and Edgar Allen Poe in Usher House by Gordon Getty for Welsh National Opera and San Francisco Opera.

Most recently, he has performed the roles of Lensky in Eugene Onegin for Welsh National Opera, Lysander in Midsummer Night’s Dream and Don Ottavio in Don Giovanni for the Israeli National Opera and Alfredo in La Traviata for Edmonton Opera.

Vincent Thévenaz is professor of organ and improvisation at the Haute Ecole de Musique in Geneva, titular organist and carilloneur of the Saint-Pierre Cathedral in Geneva. His concerts have led him to many European countries, as well as Argentina, Uruguay, Canada and India. Having benefited from a complete training (organ, piano, classical and jazz improvisation, musicology, musical theory, direction, singing, French and Russian letters), he aspires to make known and appreciated the many different facets of the organ: as a soloist, with other instruments, sometimes classical (violin, flute), sometimes quirky (Alpine horn, percussion), as well as with an ensemble. He also plays different keyboard instruments, such as harmonium, Hammond or theatre organ, and carillon. Passionate about improvisation, he devotes himself to it on the piano as much as the organ, in concert or to accompany silent films.

In 2009-2010 he interpreted Bach’s integral organ oeuvre in 14 concerts, met with a resounding success. His duo with the saxophonist Vincent Barras, entitled “W”, proposes an original repertoire immortalised in two CDs. He has recorded two CDs for the Sony label with the Gli Angeli Ensemble of Geneva (Stephan MacLeod), acclaimed by critics. He also collaborates with many ensembles and conductors (Orchestre de la Suisse Romande, Ensemble Contrechamps, Ensemble Vocal de Lausanne, the Scharoun Ensemble of the Berlin Philharmonic, Valery Gergiev, Heinz Holliger, Michel Corboz, Lawrence Foster, Antonio Pappano, etc). In 2005 he founded the Orchestre Buissonnier, an ensemble of young musicians, which he regularly conducts.
www.thevenaz.org