Starting from CHF 15.-
Tickets available online or on site on the day of the concert
In keeping with the OSR’s spirit, the programme opens with Frank Martin’s Les Quatre Éléments, a landmark work in which the Geneva-born composer celebrates the beauty of nature while honoring Ernest Ansermet, a devoted advocate of his music. Chopin’s Piano Concerto No. 2 follows, showcasing its radiant lyricism and dazzling virtuosity. Debussy’s La Mer evokes a seminal moment in the orchestra’s recording legacy, while Ravel’s Second Suite from Daphnis et Chloé concludes the evening in a brilliant burst of orchestral color and vitality.
Performance running time : 1h30 without intermission
Doors open at 4:30 PM
This program, typical of the OSR’s DNA, begins with Les Quatre Éléments (The Four Elements) composed by Frank Martin in 1963 on the occasion of the 80th birthday of its founder Ernest Ansermet. The evocation of natural phenomena gave the Genevan composer the opportunity to express both his love of nature and his admiration for the indomitable energy of the conductor who had been the creator of a large part of his works at the podium of OSR.
Composed in 1830, Chopin’s Piano Concerto No. 2 is a musical gem that features enchanting melodies and remarkable piano technique. It is considered one of Chopin’s masterpieces.
Claude Debussy’s La Mer was the first disc recorded by the OSR for the Decca company. It was to be followed by three other versions as sound recording techniques progressed, each time winning great critical success.
The brilliant and wild second suite of Ravel’s Daphnis et Chloé has long been one’s hobbyhorse of OSR with its fantastic final bacchanal which always produces a great effect thanks to its incantatory power and its dazzling orchestration.
Starting from CHF 15.-
Tickets available online or on site on the day of the concert
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In 2016, Mirga Gražinyte-Tyla was appointed Music Director of the City of Birmingham Symphony Orchestra, succeeding conductors such as Sir Simon Rattle and Andris Nelsons. The CBSO has since given numerous performances under her direction, including guest appearances and tours worldwide. She stepped down as music director at the end of the 2021-22 season but remains Associate Artist of the orchestra.
Recent highlights include a highly acclaimed new production of Mieczysław Weinberg’s The Passenger at Teatro Real Madrid, debuts with New York Philharmonic and Sächsische Staatskapelle Dresden as well as guest appearances with Münchner Philharmoniker, Orchestre Philharmonique de Radio France and Philadelphia Orchestra.
The 2024 edition of the Salzburg Festival sees Mirga Gražinyte-Tyla making her first operatic appearance there with a new production of Weinberg’s The Idiot, directed by Krzysztof Warlikowski. Other projects in 2024-25 encompass returns to Sinfonieorchester Basel, Orchestre Philharmonique de Radio France, Münchner Philharmoniker and Bayerische Staatsoper, as well as debuts with Gewandhausorchester Leipzig and Wiener Philharmoniker.
A native of Vilnius, Lithuania, Mirga Gražinyte-Tyla was born into a musical family. She graduated with a bachelor’s degree in choral and orchestral conducting from the University of Music and Fine Arts, Graz, Austria. Afterwards she continued to study at the Music Conservatory in Bologna, the Music Conservatory in Leipzig and the Music Conservatory in Zurich.
Mirga Gražinyte-Tyla’s debut CD was released by Deutsche Grammophon in spring 2019. It was hailed as a significant contribution to the rediscovery of Mieczysław Weinberg’s oeuvre and won both the Opus Klassik and Grammophon Awards in 2020.
Latvian pianist Georgijs Osokins has gained international attention through his participation at age of 19 in the XVIIth International Chopin Piano Competition where he quickly became an absolute Audience Favorite. Shortly after the Chopin Competition, Osokins made important debuts at the Konzerthaus Berlin, Klavier-Festival Ruhr, Laeiszhalle and Elbphilharmonie in Hamburg, International Piano Series in Bern, Lockenhaus Festival, Gstaad Music Festival, Narodowe Forum Muzyki in Katowice, the Vancouver Playhouse, Tokyo Metropolitan Theatre Hall, Tongyeong Hall in South Korea. In 2021 Georgijs Osokins performed at the 101st Salzburger Festspiele.
Georgijs is actively collaborating with Gidon Kremer, touring in the UK, Ireland, Russia, Poland, Germany, Asia and US. Alongside Lucas Debargue, Georgijs Osokins was announced the first permanent Guest Artist of Kremerata Baltica in its 25-year history. In 2024 Georgijs makes his solo debut at Pierre-Boulez Saal in Berlin and returns to Milan’s Serate Musicali Festival and London’s Wigmore Hall.
UK’s label “Piano Classics” released Osokins’ two CD albums focused on Chopin’s Late Works and works of Rachmaninoff. These recordings received brilliant reviews from important British, Canadian, German, Danish and French music magazines. German label Accentus has released the first chamber music album of Georgijs Osokins alongside Gidon Kremer containing trios of Chopin and Beethoven – this CD was nominated for both International Classical Music Awards 2020 and Opus Klassik 2021. He received the Cross of Merit awarded by the President of the Republic of Poland and the Latvian Grand Music Award – highest honour in music in Latvia – and remains youngest recipient in the Awards’ history.
Founded in 1918 by Ernest Ansermet, who was its principal conductor until 1967, the Orchestre de la Suisse Romande (OSR) is made up of 112 permanent musicians. It gives subscription concerts in Geneva and Lausanne, symphonic programmes for the City of Geneva, the annual United Nations Day concert and accompanies operatic performances at the Grand Théâtre of Geneva. Over the decades, the OSR has built up an international reputation thanks to its historic recordings and its interpretation of the 20th-century French and Russian repertories.