Friday 7 March 2025 6 PM

The conference will be followed by an aperitif

Contemporaries and friends, Frank Martin and Jean Binet were two key figures in Swiss musical life. Their vocal works will be the focus of this workshop: French and Romansh texts for the former, German texts for the latter. A beautiful illustration of Swiss multilingualism serving two inspirations as rich as they are diverse. We will explore their music through melodies, lieder and piano pieces, highlighting the creative journeys of these two Genevan-based composers.

STUDENTS OF CLÉMENCE TILQUIN AND CHRISTOPHE STURZENEGGER

PROGRAM

Conférence de Jacques Tchamkerten : la mélodie chez deux compositeurs genevois au début du XXe siècle : Jean Binet et Frank Martin

Performance running time : 1h30 without intermission
(Doors open at 7 PM)

Lecture by Jacques Tchamkerten: the art of melody by two Geneva composers at the beginning of the 20th century: Jean Binet and Frank Martin

The conference will be followed by an aperitif

The conference will be followed by an aperitif

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INFORMATIONS & ACCESSIBILITÉ

For any information, especially regarding individuals with reduced mobility and their companions, please contact us at:

 accueil@odysseefrankmartin.ch or by telephone at 00 41 78 754 24 77

Jacques Tchamkerten

piano

Jacques Tchamkerten was born in Geneva. After studying organ with Pierre Segond at the Conservatoire de Genève, he began learning the Ondes Martenot under Jeanne Loriod, where he received a unanimous gold medal at the Conservatoire de Saint-Maur (France) in 1986. Since then, he has performed in a dozen European countries, both with orchestras and in chamber music ensembles. From 1990 to 1996, he was a member of the Sextuor Jeanne-Loriod, a sextet of Ondes Martenot.

As the head of the Library at the Conservatoire de Musique de Genève, Jacques Tchamkerten also pursues a career in musicology. He has published monographs on Arthur Honegger, Emile Jaques-Dalcroze, and Ernest Bloch, along with numerous articles on music in French-speaking Switzerland in the early 20th century, as well as on French music from the 19th and 20th centuries. He has contributed to the Dictionnaire du Théâtre en Suisse, the Dictionnaire de la Musique française au XIXe siècle, and the new edition of the New Grove Dictionary. As a researcher, he is regularly invited to participate in various conferences. In 2011, he was awarded the Pierre-et-Louisa-Meylan Foundation Prize for his body of work.